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(1997) Music, Gestalt, and computing, Dordrecht, Springer.
Cross-synthesis using interverted principal harmonic sub-spaces
Thierry Rochebois , Gérard Charbonneau
pp. 375-385
Nowadays, analysis and synthesis processes allow a wide variety of timbral effects. One of the most popular effects is known as cross-synthesis. Cross-synthesis consists in combining timbral parameters from two distinct sounds to obtain a new hybrid sound. This paper introduces the use of principal component analysis (PCA) in an analysis/synthesis process and shows its flexibility for the creation of hybrid sounds.
Publication details
DOI: 10.1007/BFb0034127
Full citation:
Rochebois, T. , Charbonneau, G. (1997)., Cross-synthesis using interverted principal harmonic sub-spaces, in M. Leman (ed.), Music, Gestalt, and computing, Dordrecht, Springer, pp. 375-385.
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