Music, Gestalt, and computing

Repository | Book

Springer, Dordrecht

1997

516 Pages

ISBN 978-3-540-63526-0

Music, Gestalt, and computing

studies in cognitive and systematic musicology

Edited by

Marc Leman

Publication details

Full citation:

Leman, M. (ed) (1997). Music, Gestalt, and computing: studies in cognitive and systematic musicology, Springer, Dordrecht.

Table of Contents

Introduction

Leman Marc

1-9

Origin and nature of cognitive and systematic musicology

Leman Marc; Schneider Albrecht

11-29

Systematic, cognitive and historical approaches in musicology

Louhivuori Jukka

30-41

Empiricism, Gestalt qualities, and determination of style

Weber Michael

42-56

Gestalt concepts and music

Reybrouck Mark

57-69

Logic, Gestalt theory, and neural computation in research on auditory perceptual organization

Eichert Randolph; Schmidt Lüder; Seifert Uwe

70-88

Knowledge in music theory by shapes of musical objects and sound-producing actions

Inge Godøy Rolf

89-102

Statistical Gestalts — perceptible features in serial music

Ungeheuer Elena

103-113

"Verschmelzung", tonal fusion, and consonance

Schneider Albrecht

115-143

Schema and Gestalt

Leman Marc; Carreras Francesco

144-168

Self-organizing neural nets and the perceptual origin of the circle of fifths

Cufaro Petron Nicola; Tricarico Matteo

169-180

A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality

Parncutt Richard

181-199

"Good", "rair", and "bad" chord progressions

Werts Daniel

200-213

Problems of shape and background in sounds with inharmonic spectra

Keuler Jenö

214-224

A method of analysing harmony, based on interval patterns or "Gestalten"

Eberlein Roland

225-236

Neural network models for the study of post-tonal music

Isaacson Eric

237-250

Tempo relations

Franěk Marek; Mates Jiří

251-262

A framework for the subsymbolic description of meter

Moelants Dirk

263-276

Musical rhythm

Cambouropoulos Emilios

277-293

Effects of perceptual organization and musical form on melodic expectancies

Krumhansl Carol

294-320

Continuations as completions

Larson Steve

321-334

Optimizing self-organizing timbre maps

Toiviainen Petri

335-350

Towards a more general understanding of the nasality phenomenon

Rusko Milan

351-361

Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research

Reuter Christoph

362-374

Cross-synthesis using interverted principal harmonic sub-spaces

Rochebois Thierry; Charbonneau Gérard

375-385

Gestalt phenomena in musical texture

Cohen Dalia; Dubnov Shlomo

386-405

Technology of interpretation and expressive pulses

Tanguiane Andranick

407-420

Intonational protention in the performance of melodic octaves on the violin

Fyk Janina

421-430

Sonological analysis of clarinet expressivity

Canazza Sergio; De Poli Giovanni; Rinaldin Stefano; Vidolin Alvise

431-440

Perceptual analysis of the musical expressive intention in a clarinet performance

Canazza Sergio; De Poli Giovanni; Vidolin Alvise

441-450

Singing, mind and brain — unit pulse, rhythm, emotion and expression

Rapoport Eliezer

451-468

Emulating Gestalt mechanisms by combining symbolic and subsymbolic information processing procedures

Mattusch Udo

469-481

Interactive computer music systems and concepts of gestalt

Modler Paul

482-494

Gestalt-based composition and performance in multimodal environments

Camurri Antonio; Leman Marc

495-508

List of sound examples on the CD

509-516

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