John Fizer

(1989). Ingarden's and Mukařovsky's binominal definition of the literary work of art. In B. Dziemidok, & P. Mccormick (Eds.). On the aesthetics of Roman Ingarden (pp. 159-186). Dordrecht: Springer.

(1981). Transformation of the aesthetically valent text into an historically significant context. Dialectics and Humanism, 8 (3), 157-163. https://doi.org/10.5840/dialecticshumanism19818357.

(1976). Ingarden's phases, Bergson's durée réelle, and William James' stream: Metaphoric variants or mutually exclusive concepts on the theme of time. In A. Tymieniecka (Ed.). Ingardeniana (pp. 121-139). Dordrecht: Reidel.

(1975). Ingarden's phases, Bergson's durée réelle, and William James' stream: metaphoric variants or mutually exclusive concepts on the theme of time. Dialectics and Humanism, 2 (3), 33-48. https://doi.org/10.5840/dialecticshumanism19752322.

(1975). Some observations on the alleged classicism of socialist realism. Studies in East European Thought, 15 (4), 327-337. https://doi.org/10.1007/BF01046082.

(1964). The theory of objective beauty in Soviet aesthetics. Studies in East European Thought, 4 (2), 102-113. https://doi.org/10.1007/BF01044663.