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(1999) The ethics in literature, Basingstoke, Palgrave Macmillan.
Have you reread Levinas lately?
transformations of the face in post-Holocaust fiction
Norman Ravvin
pp. 52-69
Not unlike handsome cities razed to rubble by war, our contemporary intellectual traditions undergo repeated attack and burial. Schools of thought spread their influence to a variety of fields and then are dismissed as outmoded; prophets are uncovered then deposed; even particularly charged words — once on everyone's lips and in book-title after book-title — are condemned to a long afterlife as journalistic clichés. In the context of this seemingly unflagging embrace of abandonment and change, consider the name, the work, the face of Emmanuel Levinas. As I write, and possibly still as you read, Levinas is a kind of prophet. Through his interrogation of the Western philosophical tradition he has become the source of one of the key paradigm shifts of postmodern culture: a return to ethics, a remaking of our tradition in the direction of the other. In his words, the "being of animals is a struggle for life. A struggle for life without ethics. It is a question of might …. However, with the appearance of the human — and this is my entire philosophy — there is something more important than my life, and that is the life of the other."1
Publication details
DOI: 10.1007/978-1-349-27361-4_4
Full citation:
Ravvin, N. (1999)., Have you reread Levinas lately?: transformations of the face in post-Holocaust fiction, in A. Hadfield, D. Rainsford & T. Woods (eds.), The ethics in literature, Basingstoke, Palgrave Macmillan, pp. 52-69.
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